The first play in William Shakespeare’s tetralogy of plays which also includes “Henry IV, Part 1”, “Henry IV, Part 2”, and “Henry V”, “Richard II” is believed to have been written around 1595. A history play, the drama concerns the last two years of the life of King Richard II of England, spanning the years 1398 to 1400. The drama begins with a dispute between Richard’s cousin, Henry Bolingbroke, who would later become King Henry IV, and Thomas de Mowbray, first Duke of Norfolk. Henry has...
The final play in Shakespeare's masterly dramatization of the strife between the Houses of York and Lancaster, Richard III offers a stunning portrait of an archvillain–a man of cunning and ruthless ambition who seduces, betrays and murders his way to the throne. In the process, Richard delivers great speeches and engages in formidable confrontations with a large cast of characters, almost all of them caught up in the terrible struggle for power that dominates the play. It is a tribute to...
Believed to have been written in 1591, William Shakespeare’s “Richard III” is one of the bards first plays, the first installment in a tetralogy of plays which includes “Henry IV, Part I”, “Henry IV, Part II”, and “Henry V”. One of the longest of Shakespeare’s plays and consequently rarely performed unabridged, “Richard III” is the story of the Machiavellian rise to power and subsequent short reign of King Richard III of England. The play begins with Richard, known in the play as Gloucester,...
William Shakespeare's «Romeo and Juliet» is considered to be one of the greatest tragic love stories of all time. Romeo who is a member of the house of Montague falls in love with Juliet who is a member of the house of Capulet. The Montagues and the Capulets have been engaged in a feud for many years and as such the love between Romeo and Juliet is forbidden. Written near the end of the 16th century, «Romeo and Juliet,» which is one of Shakespeare's earliest dramas, is the story of...
Based upon an Italian tale which was translated by 16th century English poet Arthur Brooke into the narrative poem “The Tragical History of Romeus and Juliet,” Shakespeare’s “Romeo and Juliet” is one of the Bard’s most popular and frequently performed plays. Romeo who is a member of the house of Montague falls in love with the beautiful Juliet, a member of the house of Capulet. The Montagues and the Capulets have been engaged in a feud for many years and as such the love between Romeo and Juliet...
Sang Thong: A Dance-Drama from Thailand, a beloved treasure of Thailand's classical theater is now available for the first time in English.Composed by King Rama II and his court poets early in the 19th century, this captivating dance-drama blends ribald humor, sharp observation, and graceful poetry. Its incidents are based on age-old Asian legends and on vigorous folk-traditions of the Thai countryside, where King Rama II had been raised as a commoner before his father ascended the throne....
This collection of plays captures the comedic genius of Plautus, one of the most important playwrights from classical Roman antiquity. Plautus adapted most of his plays from earlier Greek stories, making him essential in helping to preserve the history and integrity of Greek theatre. What makes Plautus extraordinary, though, is that he kept the essence of the Greek shows while evolving the language to fit contemporary Roman tastes. He refused to let the renovations of the story be compromised by...
In Shakespeare the Illusionist, Neil Forsyth reviews the history of Shakespeare’s plays on film, using the basic distinction in film tradition between what is owed to Méliès and what to the Lumière brothers. He then tightens his focus on those plays that include some explicit magical or supernatural elements—Puck and the fairies, ghosts and witches, or Prospero’s island, for example—and sets out methodically, but with an easy touch, to review all the films that have adapted those comedies and...
Why does Shakespearean tragedy continue to move spectators even though Elizabethan philosophical assumptions have faded from belief? Shakespearean Tragedy and Its Double seeks answers in the moment-by-moment dynamics of performance and response, and the Shakespearean text signals those possibilities. Shakespearean Tragedy and Its Double investigates the poetics of audience response. Approaching tragedy through the rhythms of spectatorial engagement and detachment ("aesthetic...