Beyond Belief: Theoaesthetics or Just Old-Time Religion? explores the possible reemergence of a theological dimension to contemporary art. Long estranged from symbol and sacrament, contemporary artists–and those who think and write about them–seem to have turned once again to a vision rooted in the sacred. In an era marked culturally by world-weary cynicism and self-conscious irony, a new «humanism» may be emerging, one which aims to move beyond fragmentation and opposition to integration and unification. The aim of this book is not to propose a resurgence of religious iconography, but rather to give voice to long-suppressed–often maligned, and certainly professionally risky–positions informed by and reverberating with themes of the sacred. The essays included here, by a range of scholars working on these issues today, originated as a lively and spirited session of the 2008 College Art Association annual conference.
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